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The piece Mutationen I is a work with a few visitors , perhaps because it works with an unconventional approaches to the instruments that are played nowadays, such as the historically copied harpsichord.Mutationen I is part of a series of twelve works written for several instruments and magnetic tape.The book is preserved at the Santa Clara’s convent of Monforte de Lemos (Lugo), although its cover indicates that it was produced in the monastery of Nuestra Señora de Prado in Valladolid (Order of St.Jerome) and that it was binded in a jesuitical institution, probably in Monforte itself.El libro no se encuentra en la ac- tualidad disponible a los investigadores, y no se ha podido acceder al total de sus contenidos, no obstante la entidad de lo conocido nos ha movido a comunicar sin más retraso su hallazgo.In this paper the finding of a new book, dating around the end of the XVIIth or beginning of the XVIIIth century, written in hispanic numeric organ tablature is presented.
Entre las obras de mayor envergadura del libro se encuentran dos atri- buidas a Pablo Bruna, una de ellas hasta ahora desconocida.You can take a look at the previews here : lute-harpsichord (Lautenwerk, clavecin-luth, arpicordo leutato) is a keyboard instrument strung with gut strings. more The lute-harpsichord (Lautenwerk, clavecin-luth, arpicordo leutato) is a keyboard instrument strung with gut strings.The program for this CD consists of music by Silvius Leopold Weiss (1686–1750), John Dowland (1563–1626), J. The program for this CD consists of music by Silvius Leopold Weiss (1686–1750), John Dowland (1563–1626), J. Bach (1685–1750), Jacques Duphly (1715–1789), and Domenico Scarlatti (1685–1757).more The historical evolution of the extension of the harpsichord's 12-note-per-octave keyboard, through the Middle Ages, Renaissance and Baroque eras, in the main local traditions.(For a discussion of ""enharmonic keyboards"" or ""split sharps"", see the author's book ""Unequal Temperaments: Theory, History and Practice"", 3nd ed. This is an online publication by the National Early Music Association UK.
The whole issue is freely available to the general public from the URL: harpsichords (unlike virginals and spinets) can play two or three strings using the same key.
In this piece also uses compositionals elements characteristic from the seventeenth century as Canon alla octava and Prélude non mesuré.